“We know Dmitry Ulyanov well: we heard him in Geneva (and Munich) in the role of Kutuzov in War and Peace, in Lyon in the role of Tsar Dodon in The Golden Cockerel. He is now one of the most sought after basses on European stages. He is a bass with a powerful, even throughout the register, very expressive voice, able to use all its colors, and he is also a real artist who fits perfectly into the concept of Bieito’s production - an imperious rude man hiding behind social success. Dmitry’s manner of pronouncing words with incredible clarity, weighing every intonation, is truly an example of the genre, especially in his monologue in the second act, which is impressive both in its accuracy and the subtlety of its psychological transmission.”

— Guy Cherki (WANDERERSITE.COM, 04.05.2023)

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“... the magnificent Russian bass Dmitry Ulyanov intonates powerfully in both low and high notes and impresses as the disgusting, vile Boris Izmailov, with his evil arrogance. "

— Emmanuel Andrieux (CLASSIQUENEWS.COM, 03.05.2023/XNUMX/XNUMX)

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"Soprano Stundite in the title role and Russian bass Dmitry Ulyanov in the role of her lustful father-in-law, Boris, amazes with both the convincingness of her acting and the magnificent vocal power and technical mastery of her performance. Stundyte and Ulyanov set the bar very high, and some colleagues are struggling to keep up..»

— Peter Michael Peters (IOCO.DE, 06.05.2023/XNUMX/XNUMX)

“Dmitry Ulyanov impresses with his powerful sound and deep bass, introducing the audience to Boris, dressed in cowboy boots and a hat -  almost beast-like due to his physique and vicious desires"

— Claudio Poloni (CONCERTONET.COM, 05.05.2023/XNUMX/XNUMX)

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