Dmitry Ulyanov, bass J. Offenbach “Les Contes D’Hoffmann” Dmitry will open the new 2026-2027 season at the Teatro Colon in Buenos Aires, Argentina, a new venue for him. There, he will take part in a production of Georges Offenbach's opera "The Tales of Hoffmann," reprising his signature roles as the four villains (Lindorf, Coppélius, Dapertutto, and Doctor Miracle). Performances will take place in October 2026. The orchestra will be conducted by Carlo Montanaro and directed by Miguel Martínez. arrow_forward MORE DETAILS Teatro Colon, Buenos Aires October 9, 11, 13, 15, 2026 4 villains - Dmitry Ulyanov N. Rimsky-Korsakov
"Christmas Eve"
A repeat of last year's success at the Bayerische Staatsoper, directed by renowned director Barry Kosky. Conductor: Vladimir Jurowski.
The artists include such stars of the world opera stage as Dmitry Ulyanov, Elena Tsallagova, Ekaterina Semenchuk, Sergey Leiferkus, Violetta Urmana, Sergey Skorokhodov, Vsevolod Grivnov and others.
arrow_forward MORE DETAILS Bavarian Opera, Munich December 19, 22, 26, 29, 2026 Chub - Dmitry Ulyanov
D. Shostakovich “Lady Macbeth of Mtsensk” In March 2027, Dmitry Ulyanov will return to the Opéra Bastille in Paris. Directed by Krzysztof Warlikowski and conducted by Ingo Metzmacher, the starring roles also include Aušrine Shtundytė, Pavel Chernokh, Oleksiy Palchikov, and Victoria Karkacheva. arrow_forward MORE DETAILS Opera Bastille, Paris March 13, 16, 19, 22, 25, 28, 2027 Boris Timofeevich - DMITRY ULYANOV D. Shostakovich “Lady Macbeth of Mtsensk” And in May 2027, Dmitry Ulyanov will take to the stage of the Rome Opera as Boris Timofeevich, in a repeat of last year's acclaimed premiere at the Komische Oper Berlin. Directed by Barry Kosky, conducted by Juraj Walcsua. Starring Olesya Golovneva and Georgy Sturua. arrow_forward MORE DETAILS Rome Opera, Italy May 14, 16, 18, 20, 22, 24, 2027 Boris Timofeevich - DMITRY ULYANOV M. Mussorgsky
Boris Godunov
In May 2027, rehearsals will begin for a revival of Mussorgsky's opera Boris Godunov, directed by Vasily Barkhatov, in which Dmitry Ulyanov will once again perform the title role of Tsar Boris. The performances will be conducted by Alain Antinoglou and Dmitry Matvienko (June 18.06). Other roles will be performed by Sergei Polyakov, Mikhail Chulpaevs, Ilya Kazakov, and Yuri Yushkevich. arrow_forward MORE DETAILS Theater La Monnaie, Brussels June 10, 12, 15, 18, 22, 24, 27, 29, 2027 Boris Godunov - DMITRY ULYANOV
M. Mussorgsky
Boris Godunov
Dmitry will close the 2026-2027 season where he opened it – on the stage of the Colon Theatre in Buenos Aires, Argentina.
This will be another production in which Dmitry will sing the role of Boris Godunov. Performances will take place at the end of August 2027. Alejo Pérez will conduct the orchestra.
arrow_forward MORE DETAILS Teatro Colon, Buenos Aires August 2027 Boris Godunov - DMITRY ULYANOV
"Enigma" Dmitry Ulyanov in Irina Nikitina's program "Enigma" on the Kultura TV channel
Watch the entire program on tape
Watch online
cinema okko.tv
WATCH Dmitry Ulyanov as Ivan Khovansky
Watch online
cinema okko.tv
WATCH Dmitry Ulyanov as Field Marshal Kutuzov
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Announcement of the new 2026-2027 season

20.05.2026 Dear friends! We present to you an announcement of Dmitry Ulyanov's new season! Dmitry opens the new season on a new stage, the Teatro Colon in Buenos Aires. There, he will take part in a production of J.... READ THE ENTIRE NEWS Poster, News {{current_slide_index}} из {{total_slide_count}}

Live broadcast of P. Tchaikovsky's opera "Eugene Onegin" from the Vienna State Opera

19.05.2026 Dear friends, on May 28 at 7:30 PM European time, everyone will be able to watch a broadcast of P.I. Tchaikovsky's opera "Eugene Onegin," featuring Dmitry Ulyanov performing the role of Gremin, from the Vienna State Opera. READ THE ENTIRE NEWS Media, News {{current_slide_index}} из {{total_slide_count}}

Press review. D. Shostakovich's "Lady Macbeth of the Mtsensk District," MAMT, March 2026

10.04.2026 Dear friends! We present to you the press review of the premiere of the opera "Lady Macbeth of the Mtsensk District" at the Stanislavsky and Nemirovich-Danchenko Moscow Academic Music Theatre, which took place in March 2026! "On the Hit and..." READ THE ENTIRE NEWS News, Press {{current_slide_index}} из {{total_slide_count}}

Winner of the "Singer of the Year" award at the 2025 Casta Diva Awards

27.03.2026 The jury of the 2025 Russian Opera Prize "Casta Diva" announced the winners for 2025, with Dmitry Ulyanov named the winner in the "Singer of the Year" category. Ulyanov was recognized for his… READ THE ENTIRE NEWS News {{current_slide_index}} из {{total_slide_count}}

Press Review. D. Shostakovich's "Lady Macbeth of the Mtsensk District," February–March 2026

17.03.2026 Dear friends! We present to you the press review of the production of "Lady Macbeth of Mtsensk" at the Komische Oper in Berlin! "Dmitry Ulyanov, who played Boris, had no complaints about his voice or pronunciation. … READ THE ENTIRE NEWS News, Press {{current_slide_index}} из {{total_slide_count}}

Premiere of D. Shostakovich's opera "Lady Macbeth of Mtsensk" on the stage of the Komische Oper

02.02.2026 On January 31, 2026, the premiere of Dmitry Shostakovich's opera "Lady Macbeth of Mtsensk" took place to a resounding success, with Dmitry performing the role of Boris Timofeevich Izmailov. This is already the sixth performance in Dmitry's career... READ THE ENTIRE NEWS Poster, News {{current_slide_index}} из {{total_slide_count}}

Press review. N.A. Rimsky-Korsakov's "The Night Before Christmas," December 2025.

26.01.2026 The comic center of the play is Chub, masterfully performed by Dmitry Ulyanov. A vast array of acting techniques and vocal colors transforms this role into a veritable fireworks display of melodramatic mastery. The singer not only demonstrates his fluency… READ THE ENTIRE NEWS News, Press {{current_slide_index}} из {{total_slide_count}}

Premiere of N.A. Rimsky-Korsakov's opera "The Night Before Christmas" at the Bavarian State Opera, December 2025

04.12.2025 On November 29, 2025, the long-awaited and highly anticipated premiere of N.A. Rimsky-Korsakov's opera "The Night Before Christmas" was held at the Bavarian State Opera to great acclaim. Directed by the remarkable director Barry Kosky,... READ THE ENTIRE NEWS Poster, News {{current_slide_index}} из {{total_slide_count}}

Press review. M.P. Mussorgsky's "Boris Godunov." October 2025.

11.11.2025 "Fortunately, the vocal cast is impeccable: the lead role is played by the magnificent Dmitry Ulyanov. He transforms into a Boris full of humanity, crafting every phrase with a lyrical power and dramatic subtlety that captivates, moving from… READ THE ENTIRE NEWS News, Press {{current_slide_index}} из {{total_slide_count}}

Premiere of M.P. Mussorgsky's opera "Boris Godunov" at the Lyon Opera, October 2025.

14.10.2025 On October 13, the premiere of M.P. Mussorgsky's opera "Boris Godunov" in the author's version was a great success at the Lyon Opera, directed by Vasily Barkhatov, with Dmitry Ulyanov performing the title role... READ THE ENTIRE NEWS Media, News, Press {{current_slide_index}} из {{total_slide_count}}

Opening of the new season 2025 - 2026

28.08.2025 Dmitry Ulyanov completed the 2024-2025 season in France by participating in the Soirées Lyriques de Sanxay festival, performing the role of Zaccaria in G. Verdi's opera Nabucco (conductor - Valerio Galli, director - … READ THE ENTIRE NEWS Poster, News {{current_slide_index}} из {{total_slide_count}}

Announcement of the new season 2025-2026

12.06.2025 Dear friends! We present to you the announcement of the new season of Dmitry Ulyanov! Dmitry Ulyanov will complete the 2024-2025 season in France by participating in the Soirées Lyriques de Sanxay festival, where he will perform the part of Zachariah in … READ THE ENTIRE NEWS Poster, News {{current_slide_index}} из {{total_slide_count}}

"When you go on stage with a famous aria, you need to give it your all" - Interview for the magazine "Musical Life"

23.05.2025 Recently, Dmitry Ulyanov gave an interview to "Musical Life", in which he spoke about the premiere of Mussorgsky's opera "Khovanshchina" at the Grand Theatre of Geneva, working with the cult director Calixto Bieito, and also about the work of ... READ THE ENTIRE NEWS News, Press {{current_slide_index}} из {{total_slide_count}}

Opera by G. Verdi "Il Trovatore" on the stage of the Vienna State Opera. Live broadcast

20.05.2025 On May 18, 2025, the first of the "Troubadour" series of performances took place, in which Dmitry Ulyanov performed the part of Ferrando for the first time on the stage of the Vienna State Opera. The orchestra was conducted by Marco Armiliato, and directed by Daniele Abbado. Together … READ THE ENTIRE NEWS Poster, News {{current_slide_index}} из {{total_slide_count}}

Press review. M.P. Mussorgsky "Khovanshchina". Geneva March 2025.

20.05.2025 Dear friends! We offer you a review of critical publications on the opera by M.P. Mussorgsky "Khovanshchina" directed by Calixto Bieito. Performances at the Grand Theatre of Geneva took place on March 25, 27 and 30, 1 and … READ THE ENTIRE NEWS Press review {{current_slide_index}} из {{total_slide_count}}

Press review

“A special place in the performance is occupied by Dmitry Ulyanov, who succeeds in
to create the most complete vocal-dramatic performance for the small part of Timur
image. His voice possesses a rare combination of timbre nobility,
expressiveness and absolute technical freedom. Each singer's entrance instantly changes the quality of the musical space in which something arises.
a special feeling of genuine vocal theatre that cannot be replaced by anything
video projections or stage effects. The impression is particularly strong
produce mourning scenes after the death of Liu, in which the voice of D. Ulyanov becomes
the main bearer of the opera's tragic content. His Timur embodies that
human truth, which is so often lacking in the world around him
cruelty, violence and theatrical decorativeness."
Alexander Kurmachov patreon.com, June 15, 2026 " D. Puccini "Turandot"
Bavarian State Opera, Munich
"For his perfection and transformation into character, I'd give Dmitry Ulyanov first place. Much of his Boris Timofeevich is rendered with a rich vocal palette. A full-bodied central bass with deep lows, unafraid of sharply distinctive intonations and even a patois, with a vivid delivery. The cruel tyrant of the Domostroy, the owner, "angry and fierce, like a crocodile"—as the workers sing—almost evoked sympathy for the first time, as he recalled his daring youth and mourned the absence of an heir to the family name. Lusting after Katerina, he sympathized with her cold bed. And how realistically old Izmailov died of rat poison! He breathed so heavily, so terribly…" Tatiana Elagina Classical Music News.ru, 03/23/2026 " D. Shostakovich “Lady Macbeth of Mtsensk”
Stanislavsky Moscow Academic Music Theatre, Moscow
"The comic center of the production is Chub, masterfully performed by Dmitry Ulyanov. A vast palette of acting techniques and vocal colors transforms this role into a veritable fireworks display of melodramatic mastery. The singer not only demonstrates a free command of the timbral resources of his immense bass voice but also balances with acrobatic ease on the edge of anecdotal buffoonery and the high art of plastic transformation. This was a true operatic performance, with exemplary intonation, vivid phrasing, and thoughtful articulation of every sung phrase." Alexander Kurmachov Belcanto.ru, December 7, 2025)
" N. Rimsky-Korsakov
"Christmas Eve"
Bavarian State Opera, Munich
"Dmitry Ulyanov as Boris amazes with his brutality, vulgarity, and savage power, all honed to perfection. Ulyanov is the most versatile and effective bass of our time, capable of portraying Tsar Boris in Boris Godunov, Tsar Dodon in The Golden Cockerel, and the unforgettable Kutuzov in War and Peace. He is equally convincing in both comic and tragic roles. His Boris demonstrates an incredible mastery of the Russian language in all its diversity, with its most subtle nuances, refinements, and even vulgarity. He performs his role with a mastery that astounds the audience and evokes admiration, as well as immense pleasure, as his portrayal of the character is vibrant, precise, and sincere. A perfect Boris!" Guy Sherki wanderersite.com, February 9, 2026 " D. Shostakovich “Lady Macbeth of Mtsensk”
Komische Oper, Berlin
"Let's pay tribute to Dmitry Ulyanov, who ranks among the ten greatest Boris Godunovs we've heard on stage in the last half-century. Filled with humanity, he demonstrates his signature style, imbuing every word with true meaning, meticulously crafting his phrasing, demonstrating precisely placed high notes and a superb mid-register. And yet – what acting! The culmination of this journey, the anthological death, devoid of any ostentatious pomp, captivates us, evoking uncontrollable emotions. Truly great art!" Patrick FAVRE-TISSOT-BONVOISIN Resonances Lyriques, 10/21/2025 " M. Mussorgsky "Boris Godunov"
Lyon Opera, France
"The great strength of this production is the Slavic voices with their unrivaled texture and delivery. We will talk not only about beautiful singing, but also about expressive, intense, passionate singing.
In the foreground is the powerful bass of Dmitry Ulyanov, who portrays the brutal, vulgar, down-to-earth leader of the Streltsy, Ivan Khovansky, who impresses from the very first phrase: “My children, Moscow and Rus' in the great pogrom…” On the stage of this theatre, he was Kutuzov from Prokofiev’s War and Peace and Boris from Shostakovich’s Lady Macbeth (the first two parts of Calixto Bieito’s Russian trilogy in Geneva), and his powerful, very deep voice, his harshness show his character as a mercenary, sowing fear with his animal presence alone, the one whom the people glorify as a “white swan”…”
Charles Siegel forumopera.com, March 28, 2025 " M. Mussorgsky "Khovanshchina"
Grand Theater of Geneva
"A striking exception was the performer of the Banquo part, Russian bass Dmitry Ulyanov. The singer's acting in this strange performance was closely woven into the ideal vocal frame, and the dynamic colors with which Ulyanov enlarged the sound line at the culmination of Banquo's dying monologue came together to form a mosaic of a noble and tragic image." Alexander Kurmachov belcanto.ru, 19.12.2024 " G. Verdi "Macbeth"
Bavarian State Opera, Munich
“Ulyanov is a grand Melnik. The range from the comic old man in the first act to the tragic madman in the second is the highest acting and vocal aerobatics.” Ekaterina Kretova “Moskovsky Komsomolets”, June 27, 2024 " A. Dargomyzhsky “Mermaid”
Moscow Theatre Of Stanislavsky
“I would especially like to mention the performers: Dmitry Ulyanov, who, in my opinion, is the most luxurious bass of our generation, did a brilliant job with Melnik’s part. His performance was a real gift: excellent phrasing, subtle acting and powerful vocal performance.” Maria Mitina The Art Of Opera, June 28, 2024 " A. Dargomyzhsky “Mermaid”
Moscow Theatre Of Stanislavsky
"First of all, Dmitry Ulyanov shines in the role of the title character. With his powerful, rich voice, he permeates the entire hall. He creates wonderful lyrical vocal lines, confidently wielding them. He skillfully conveys the coloring of the hero and his spiritual decline, demonstrating his extraordinary acting talent. Possessing natural charisma, he is very organic in the role of an inconstant ruler who cruelly confronts his decline and ultimately shows his paternal feelings." Winfried Hoess OPERAONLINE.COM, 18.01.2024 " M. Mussorgsky "Boris Godunov"
Bavarian State Opera, Munich
«Though he had cut a thuggish figure as Philippe and boasted a chest full of medals, Dmitry Ulyanov revealed his heart in Act XNUMX, singing “Elle ne m’aime pas” with pathos and penetrating depth.
One of my operatic highlights of 2023, this production was a triumph for the Grand Théâtre and a reminder of how much is gained by performing the French version of Verdi's magnum opus.
John Allison "OPERA" magazine, December 2023 " G. Verdi "Don Carlos"
Grand Theater of Geneva
“We know Dmitry Ulyanov well: we heard him in Geneva (and Munich) in the role of Kutuzov in War and Peace, in Lyon in the role of Tsar Dodon in The Golden Cockerel. He is now one of the most sought after basses on European stages. He is a bass with a powerful, even throughout the register, very expressive voice, able to use all its colors, and he is also a real artist who fits perfectly into the concept of Bieito's production - an imperious rude man hiding behind social success. Dmitry’s manner of pronouncing words with incredible clarity, weighing every intonation, is truly an example of the genre, especially in his monologue in the second act, which is impressive both in its accuracy and the subtlety of its psychological transmission.” Guy Cherki WANDERERSITE.COM, 04.05.2023 " D. Shostakovich “Lady Macbeth of Mtsensk”
Grand Theater of Geneva
"And here is Kochubey, with a vocal range that, in my opinion, makes him one of the benchmark Russian basses of the coming years. Amazing phrasing, always genuine and intelligent expression, and, above all, an impressive range from low to high notes, this is a real sonorous bass, deep, intense, with full-sounding and always controlled high frequencies, this is an artist of incredible quality and simply amazing level of performance." Guy Cherki WANDERERSITE.COM, 16.11.2021 " P. Tchaikovsky "Mazepa"
Berlin Philharmonic
“We admit, the emotions we experienced during Dmitry Ulyanov’s performance of Kutuzov’s aria are comparable only to the feeling of pride felt for our athletes when they are awarded medals to the sounds of the anthem - I wanted to stand up and sing. The beauty of this musical theme, sounded several times in the performance, excited not only us - the applause of the audience was evidence of this.” Nadezhda Sikorskaya Our newspaper, Geneva, 15.09.2021 " S. Prokofiev “War and Peace”
Grand Theater of Geneva
“The Russian soul is heard in the voice of bass Dmitry Ulyanov (General Kutuzov), who, sitting alone at the chess table, begins to think long and hard about the tactics that should be applied in the face of the Napoleonic siege of Moscow. Possessing a voluminous, deep and bright voice, Dmitry Ulyanov offers the audience one of the most beautiful moments of the evening. When he sings, nothing exists except him.” Jacques Schmitt ResMusica, 16.09.2021 " S. Prokofiev “War and Peace”
Grand Theater of Geneva
“The Tsar illustrates another aspect of duality in this opera: his absurd character, a plaything of fate, whose strings are pulled by a cockerel, does not in any way detract from the beauty and quality of the voice. Dmitry Ulyanov consistently and with pleasure observes these two contradictory aspects of his character." classiquenews 8.06.2021 " N. Rimsky-Korsakov “The Golden Cockerel”
Opera Lyon, France
“In contrast to the handsome Sergei is the impressive, loud Boris performed by Dmitry Ulyanov, whose brutality is softened by lyrical intonations.” Marie-Aude Roux The World, 08.04.2019 " D. Shostakovich “Lady Macbeth of Mtsensk”
Opera Bastille, Paris
“The resourceful Dodon of Dmitry Ulyanov appears before the viewer in an undershirt and underpants soaked in blood and dirt and crowned with a crown, with a sword in his hand, ready to destroy everything in his path.
Artistry, powerful timbre and good articulation give the character a striking naturalness.”

Marie-Aude Roux
Le Monde, June 2021
" N. Rimsky-Korsakov “The Golden Cockerel”
Opera Lyon, France
“In the Bolshoi’s production there is only one work that is truly worthy of the country’s first theater - Basilio, performed by MAMT premier and guest soloist of the Bolshoi Theater Dmitry Ulyanov. In terms of singing and acting, his colorful music teacher is several heads superior to his more significant colleagues.” Svetlana Naborshchikova Izvestia, 06.11.2018 " G. Rossini
"The Barber of Seville"
Bolshoi Theater of Russia
“If Erwin Schrott, who replaced the ill Dmitry in November, presented a strong Atilla, now we are moving to a higher level. Not only the appearance clearly shows us the image of the leader of the Huns, but also the voice and the performance of the artist, which makes this voice resound in the hall as if from the dark depths of the barbarian’s soul, evoke respect and admiration. Completely absorbed in his role, he blushes with anger when he learns that he has been betrayed, and the paradox of a character, both a tyrant and a victim of his mercy, is heard in this voice, which chills the soul to the very bottom, but also brings deep warmth ... " Elodie Martinez opera-online.com, 20.03.18 " G. Verdi "Attila"
Auditorium de Lyon, France
“In turn, Prince Galitsky, performed by the beautifully transformed Dmitry Ulyanov, appears before us in uncontrollable arrogance, while at the same time showing the viewer the best singing qualities and a dazzlingly bright image.” Floren Coudeirat classiquenews.com, 29.11.19/XNUMX/XNUMX " A. Borodin “Prince Igor”
Opera Bastille, Paris
“The most successful, in my opinion, in the performance was the work of Dmitry Ulyanov in the role of the General. In addition to the impeccable vocals (clean, neat delivery of phrases, clarity of psychological shades, intellectual drawing of phrasing), I was pleased with the stage design of the role, created on the basis of a purely Russian theater school... the scene of the death of the General in a noose made of Blanche’s boa was played by the singer masterfully and became one of the most bright in the performance...” Alexander Kurmachev belcanto.ru, November 2017 " S. Prokofiev “The Player”
Vienna State Opera
“Performed by Dmitry Ulyanov, old man Izmailov becomes the evil genius of the place, and even the satirical touches of the famous aria about old age only highlight the mystical image of all-consuming power... D. Ulyanov uses his rich vocal and dramatic arsenal to create an image of totalitarian gluttony and animal infernity. It’s not surprising that this work captivated the prim Salzburg audience: the singer’s success was deafening.” Alexander Kurmachev belcanto.ru, August 2017 " D. Shostakovich “Lady Macbeth of Mtsensk District”
Salzburg Festival
Wonderful bass Dmitry Ulyanov, whose career ranges from roles in War and Peace to Aida, from Prince Igor to The Huguenots. A powerful and well-balanced voice is able to highlight many comic situations, such as the heart-rending scream he emits when he discovers the death of his two sons. Ulyanov is also a good actor, exaggerating the clumsiness of the stupid Tsar, having a lot of fun in the short dance section of the second act.” Fabio Tranchida operaclick.com, June 2017 " N. Rimsky-Korsakov
"The Golden Cockerel"
Royal Theater, Madrid
“The highest quality voice of the evening was Dmitry Ulyanov, playing the role of Don Basilio. His "Slander" was the most brilliant musical point of the performance with perfect diction, strong accents, precision, powerful volume, and conveyed all the beauty that is contained in this famous aria. Also, throughout the entire performance he always stood out among the others...” Javier Del Olivio Plateamagazine.com, February 2016 " G. Rossini
"The Barber of Seville"
Teatro Maestranza, Seville
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TIMUR | G. Puccini "Turandot" | Bavarian State Opera, June 2026

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BORIS TIMOFEEVICH IZMAILOV | D. Shostakovich "Lady Macbeth of the Mtsensk District" | Stanislavsky and Nemirovich-Danchenko Moscow Academic Youth Theatre, 2026

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CHUB | N.A. Rimsky-Korsakov's "The Night Before Christmas" | Bavarian State Opera, December 2025

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BORIS GODUNOV | M.P. Mussorgsky "Boris Godunov" | Opéra National de Lyon, October 2025

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BORIS TIMOFEEVICH IZMAILOV | D. Shostakovich "Katerina Izmailova" | Bolshoi Theater of Russia, 2023

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MELNIK | A. Dargomyzhsky "Mermaid" | Stanislavsky and Nemirovich-Danchenko Moscow Academic Theatre, 2024-2025

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PRINCE IVAN KHOVANSKY | M.P. Mussorgsky "Khovanshchina" | Grand Theatre of Geneva, 2025

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Gremin | P.I. Tchaikovsky "Eugene Onegin" | La Scala, 2025

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Festive concert dedicated to the Day of Slavic Literature and Culture | Moscow, 2024

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PRINCE IVAN KHOVANSKY | M.P. Mussorgsky "Khovanshchina" | Moscow, 2024

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F. Halévy, "The Juive." Duet of Rachel and Cardinal de Brogny | Grand Théâtre de Genève, 2022

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F. Halévy's "The Juive." Duet of Cardinal de Brogny and Eleazar (Act 4) | Grand Théâtre de Genève, 2022

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F. Halévy's "La Juive." Cardinal de Brogny's aria "Vou qui du Dieu vivant" (finale of Act 3) | Grand Théâtre de Genève, 2022

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F. Halévy, "The Juive." Cardinal de Brogny's aria "Si la rigueur et la vengeance" (Act 1) | Grand Théâtre de Genève, 2022

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Susanin's aria from M. Glinka's opera “A Life for the Tsar” | Dmitry Ulyanov

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News about the premiere of the opera “Boris Godunov”, Channel 7 Krasnoyarsk

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Enigma program. Dmitry Ulyanov

06.06.2023 Here you can see the 10 most recent videos added to our video gallery. To view the entire video collection, follow the link above.
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M. Mussorgsky “Songs and Dances of Death.” Vocal cycle in orchestral edition by D. Shostakovich.

10.05.2022 Here you can see the 10 most recent videos added to our video gallery. To view the entire video collection, follow the link above.
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Interview with Dmitry Ulyanov in the project "Conversations in the dressing room"

01.10.2021 Here you can see the 10 most recent videos added to our video gallery. To view the entire video collection, follow the link above.
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N. Rimsky-Korsakov "The Golden Cockerel" | Lyon Opera, France, 2021

31.08.2021 Here you can see the 10 most recent videos added to our video gallery. To view the entire video collection, follow the link above.
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